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2013 Bi-City Biennale of Urbanism\Architecture(Shenzhen) opens in Shenzhen

2013.12.22

2013 Bi-City Biennale of Urbanism\Architecture(Shenzhen) opens in Shenzhen

World’s only biennale on urbanism and urbanization launches December 6




The fifth edition of the Shenzhen Biennale, the UABB(SZ) [Bi-City Biennale of Urbanism \Architecture(Shenzhen)], opened on December 6 and will continue until February 28 in Shekou, Shenzhen, China. The Shenzhen Biennale of Urbanism\Architecture Organizing Committee held the Opening Press Conference on December 5. As the world’s only biennale dedicated exclusively to the themes of urbanism and urbanization, this event has cultivated strong alliances internationally, in the process becoming a global event of significance.

The 2013 UABB(SZ) theme of 'Urban Border' explores the possibilities of urban culture, urban space, urban lifestyle and related issues. As urban development occurs at an unprecedented rate, a kind of generic similarity dominates. Diversity, difference and individuality are relegated. At the multiple formations of ‘Border’, however, we might discover margins of urban space, brink groups, and non-mainstream lifestyles.

This year’s exhibitions will be particularly fascinating as the biennale has reclaimed two neglected industrial sites in the Shekou, Nanshan District of Shenzhen, transforming them into cutting-edge exhibition spaces. The curatorial duties were split into two teams according to the core venues. Venue A is the recovered former Guangdong Float Glass Factory, derelict since 2009. The effort was supervised by UABB(SZ)’s Curator and Creative Director, Ole Bouman. With his manifesto statement of “Biennale as risk”, the revitalization has provided a unique and functional venue while reclaiming a piece of heritage and history. Bouman’s broader objective is to redefine Shenzhen’s identity with an urban intervention, turning the site into its own exhibit, a ‘Value Factory’ to manufacture ideas and knowledge. The exhibit brings together world famous cultural institutions to transform the Glass Factory into a place of cultural activity. Venue B, an abandoned old warehouse at the Shekou Ferry Terminal, will host a significant portion of the exhibitions. For this space, Curators, Academic Directors Li Xiangning and Jeffrey Johnson merged architectural, socio-cultural and artistic interpretations, observations and speculations in exploring the dynamic and charged urban boundary conditions around the world, in China and the Pearl River Delta. The five-part exhibition will document critical themes pertaining to urban borders, offer analysis of the historical evolution of borders, and explore contemporary theoretical interpretations of what a city means today and in the future. Between both venues a two kilometre long connecting road, curated by Ole Bouman, serves as a journey from the "past" into the "future". It takes visitors along many other opportunities for urban renewal in Shekou.

Beyond exhibitions, the UABB is a public education platform. The new program “UABB School” will integrate resources and further strengthen the role of education. The program is eager to interact with local citizens from various fields and professions and hold a series of free programs/activities for citizens during the exhibition.



The program highlights of “UABB School” include public and professional events such as openings by DROOG, Studio X, the V&A, OMA, Atelier Bow-Wow, the International Biennale Sao Paulo, the Value Factory Academy + Studio, Berlage & Volume, Urban Safari, MAXXI, MOMA, the MIT, SDC, INTI, HNI, Museum of Finnish Architecture and curator Bouman’s Value Farm sowing event. Lively debates will be held such as a V&A mini-symposium, Studio X debate on architectural implications of the Olympics, the future of architecture education and MOMA mini-symposium.



Promoting innovation in architecture and urban planning, the UABB not only seeks to bring academic accomplishments into the spotlight but to look beyond current global trends towards the future. As Mr. Bouman declares in his manifesto, “(the biennale) is a vehicle for change, for real change. It produces leverage for alternative histories and a new future.”

 

Image Copyright
Images ©Shenzhen Biennale of Urbanism\Architecture Organizing Committee
Photographed by Zeus Photography

 

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